It’s great to see guitarist Smokey Hormel featured on the documentary web series Liner Note Legends. The series gives recognition and insight to the talented musicians behind the scenes who have played on recordings in all genres that everyone has heard. I really enjoyed hearing Smokeys story in his own words. When you have time, check it out.
Stewarts guitar arrived safely in the UK. We just got a clip of him playing some Grady Martin licks. It looks like its in good hands. Stewarts using Thomastik .012 flatwounds, a Tweed Bassman amp and an Alter Ego delay pedal.
January got off to a great start when Tommy and Nico stopped by the shop. We sat down for a little impromptu jam session.
Happy New Year everybody! Its been a while since we’ve posted but fortunately, the last few months have been really busy in the shop. We have a lot of things to share coming up but in the meantime, Sean Mencher recently sent me a link to this interesting blog post on guitarist Jimmy Raney that he wrote himself in ’93.
This is a direct re-post from a blog called Prepared Guitar. There are a lot of great interviews featured on the site like Johnny Smith and Tal Farlow to name a few, so when you have time, check it out. More links to Prepared Guitar at the bottom of the story. Thanks Sean for sharing with me.
Friday, January 2, 2015
Things Downbeat Never Taught Me by Jimmy Raney
I first heard the Sammy Masters 45, Pink Cadillac/ Some like it Hot, on a visit to Levi Dexter’s apartment in L.A. some time in the mid 80′s. I remember being completely blown away. The guitarist sounded like Jimmy Bryant but at the time, I didn’t know it was him.
A year or so later while in London with Big Sandy, I bought the Rockin’ Red Wing LP on the German label Hydra. It had Flat Feet, 2 Rock-A-Four and Whop-T-Bop, along with Pink Cadillac and Some Like it Hot. The funny thing is that the session details on back of the LP listed the guitar player as Ralph Roe. I was so enamored that for a few years I looked everywhere for more recordings of Roe! haha.
I can’t remember how, but eventually I found out that it was Bryant on the recordings. I really love his playing on these five because they are so full of great ideas. It sounds like he had complete freedom to play what he wanted and he went for it.
I know these recordings are easy to find now with the Internet and all, but thought I’d put them up just in case some of you have never had a chance to hear them.
Later, around 1998, I got to meet Sammy Masters and play a few songs with him at a club in Hollywood which was an honor. If you have a few minutes, take a listen.
Blake Wright, the publisher of online magazine Gearphoria, recently came by for a visit. It was a pleasure spending the morning talking shop with Blake and then of course, lunch at Pappy’s. Here’s what came out of it. Thanks Blake!
Jimmie found this unfinished new old stock Trini body on eBay a while back and sent it over for a neck, paint, pickups and hardware. He also said “do whatever you want” which made it a lot of fun and challenging at the same time.
I have always wanted to do a tobacco sunburst paint job and thought Jimmies guitar was the perfect candidate. I’m pretty happy with the way it turned out. The tailpiece is a vintage German made Hofner unit. To add something interesting, we made the cast aluminum banner in the shop to say “Custom”. I used my C.A.R. pickups, binding around the inlaid pick guard and also inlaid a small mother of pearl diamond at the back of the neck. In case anyone is wondering, the lower switch is an out of phase switch.
I had hoped to create a really classy custom instrument that would look right at home being played by such a class act. Here are a few photos of the process.
Just got this clip from Dan Nosovich in Australia using my C.A.R. pickup along with the note below. Nice break in my day.
“Mark aka @juniorjukewalters took this clip of us doing some Johnny Guitar Watson on my tele. Bridge pickup straight into a Bassman RI. I’ve been playing my own (dodgy) takes on rockabilly and instros on the tele in other bands but enjoyed how it went in these fellas.”
We’re lucky that many players and customers come through the Joshua Tree area on their way in or out of Los Angeles, and many come to play at our great neighborhood bar, Pappy and Harriet’s. When they do, we love having them come by the shop to hang out, play and talk guitars. But we get asked all the time if there is anyplace on the East coast that someone can see or play our guitars in person. We’re excited that now they can.
We just sent Smith Special #003 to TR Crandall Guitars in New York City. Located in the East Village, Tom Crandall and Alex Whitman have earned a reputation for providing some of the best repairs and restorations available, but also for creating a completely unique experience for musicians who stop by their shop. Not only can you hang out and play their well curated collection of vintage guitars, you’ll get an education about each ones history and what Tom has done to bring each instrument to spot on condition before putting them on their wall for sale. Its not often that you’ll find a shop owner who is also one of the best Luthiers in the business. So on a quiet street away from tourists, we’re proud that our friends on the East Coast can now go to TR Crandall to play and purchase a Smith Special in person, and get the service and experience I want as a musician.