1956 Gretsch 6128

Lately I’ve been wondering where my ’56 Gretsch 6128 ended up. It was in my possession for about six years from ’89 until ’95. During that time, I used it on Big Sandy’s ‘’On the Go’’ LP, and a few other Fly Rite Trio recordings.  Of all the guitars I’ve bought and sold over the years, I wish I ‘d hung on to this one. Throughout the eighties I owned a couple of Duo Jets and a Jet Firebird, you could find them for around $600 to $1200. The one I ended up keeping I found at a place on Sunset Blvd called ‘’Guitars R Us’’. I think I paid $1100 for it. It was a ’56, the neck had been reset and the back was refinished.  This guitar was nice because unlike the other beat up old Gretsch guitars that I had owned, I could use 13’s on it and not worry about the neck coming unglued. Of the few details I can remember about it, one is that the headstock had been drilled out for 3/8’’ tuners, so I stuck an old set of PMMH-015 Grovers on it. The guitar also had a push-pull pot on the tone control to put it in and out of phase. I used to have the S/N written down on a little piece of paper in my toolbox but it’s long gone now.

When I left the band in ’92 I didn’t play it much and thought it was a shame to have such a nice guitar just sit in a case under the bed. So around ’95 or ’96 I put it on consignment at a music store called Music Music down in El Cajon, Ca. I think it sat there for about a year before it sold. I know it’s a long shot, but if anyone has a clue as to where my Gretsch is now, I’d love to know.

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More Hot Pickin’ from Down Under

Dan Nosovich from Brisbane, Australia just put up a great clip of ”Bee Byrd Bounce” played on one of my blade pickups mounted in a ’52 reissue. I’m really diggin’ his playing and tone, especially the bottom end. Check it out here.

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Hiro Endo

Hiro’s guitar made it to Japan and here he is with a smokin’ rendition of 12th Street Rag.

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Monthly Motivation-Take Off Guitar

When I heard The Rovers ‘’Passport to Summer’’, it was my first time hearing Roy Lanham play guitar. I can still remember coming home from the thrift store with my bag full of records and putting this one on. I could barley sleep for weeks, it pretty much changed the way I wanted to play.

Up to this point I was content trying to copy Scotty Moore, Cliff Gallup and a few others.  From that point on, I wanted to learn how to improvise and play more like a Jazz musician. I’m still trying today. I soon learned the style I was obsessed with was called ‘’Take Off” guitar. I think a good definition for the ‘’Take Off‘’ guitar style would be… to solo as if you were half genius and half mentally insane! (Jimmy Bryant and Speedy West trading fours on Rock City Boogie, comes to mind.)

Around that same time I started hanging out with Robert Williams, aka Big Sandy. Robert, and another friend, Jason Goodman both had excellent record collections and were always finding new hillbilly and country records with hot ‘’Take Off’’ guitar solos. They were constantly making cassettes compiled of their latest record finds.  I always looked forward to getting the latest cassette from them. They were some of the first recordings I’d heard with guys like Lanham, George Barnes, Jimmy and Speedy, Jimmy Wyble, Noel Boggs, Junior Bernard, Grady Martin, Thumbs Carlille, Buddy Emmons, and countless others, playing the “Take Off‘” guitar style. I still have most of those cassettes. Hope this recording inspires you too.

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Smith Specials

Here are a few photos of the two finished Smith Special guitars that I’ve been working on for a number of months. I started mine over a year ago. When Hiro sent his Kay, I decided to build both guitars at the same time. I refinished the body on mine and Hiro’s has the original finish. You can see the process of both here.  Hiro’s is finally ready to ship to Japan and I can just enjoy mine for now.

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Ain’t She Sweet

Pat fires off a nice one on his new Telecaster. Enjoy…

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Custom Vibrato Arm

I’ve been using this type of arm for about twenty years now. I originally made it because I had an old Bigsby vibrato with a Travis type arm that I couldn’t  get used to. I wanted something similar to what Chet was using but didn’t want to change the way it attached to my old vibrato. After using it for awhile I found that it was handy having the pivot point closer to my hand. It makes it really easy to access while playing. It’s also is very easy to adjust. Using set screws, the arm swivels at three points. Just loosen the set screws and rotate the parts until it’s in the right spot. Tighten it up and your good to go. Hand made in the U.S.A. Available in our Store now.

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Test Run

Here’s a quick test run with a pole piece pickup at the bridge and a blade pickup at the neck plugged into an old Gibson GA-30. The strings are Thomastik-Infeld JS112′s

And here’s one with the neck pickup only

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The Winder is busy today…

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Monthly Motivation-The Whippoorwills

I wish I had the writing ability to cleverly put into words how great I think this clip is. I’ve been watching it once or twice a week since Deke posted it. What I can say about it is…. Roy Lanham was an ass kicker on the guitar and Doug Dalton equally kicked ass on the mandolin.  Sweet Georgia Brown’s (Juanita Vastine)  voice and the rhythm guitar playing I can’t get enough of.  The bass playing is excellent, and on top of that they can all sing in perfect harmony. Not too many bands you can say that about. I love the beginning of the solo; Roy tries to go first but Doug doesn’t have it. Doug must have thought to himself ‘’Roy had the entire intro to himself there’s no way he’s going first on the solo section’’. Enjoy…

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