Guitarist Jimmy Raney

Happy New Year everybody! Its been a while since we’ve posted but fortunately, the last few months have been really busy in the shop. We have a lot of things to share coming up but in the meantime, Sean Mencher recently sent me a link to this interesting blog post on guitarist Jimmy Raney that he wrote himself in ’93.

This is a direct re-post from a blog called Prepared Guitar. There are a lot of great interviews featured on the site like Johnny Smith and Tal Farlow to name a few, so when you have time, check it out. More links to Prepared Guitar at the bottom of the story. Thanks Sean for sharing with me.

Friday, January 2, 2015

Things Downbeat Never Taught Me by Jimmy Raney

Back in 1939 or 1940, when I was just starting out to be a jazz musician, I was a Downbeat and Metronome freak. I devoured these two magazines in search of news of my heroes. I’m not talking about Benny Goodman or Artie Shaw. They were household words to everybody, as the Gabor sister, The Grateful Dead, and Kentucky Fried Chicken are today. I’m talking about the guys who played jazz on offbeat labels. I knew they all lived in New York City and had penthouses overlooking Central Park. I went to the movies and saw jazzmen (portrayed by Cary Grant and David Niven) doing just that. I figured maybe I could do that too, if I just kept practicing my hot licks. That’s what they called them back then – honest.

Louisville in those days was different than today. Back then there were only a half dozen musicians who could play jazz, but couldn’t make a living at it. Nowadays there are at least ten times as many who can’t make a living at it. Louisville has come a long way.
Anyway, from reading Downbeat I figured the only hope I had was to get to New York. I knew there weren’t any penthouses here, not to mention Cary Grant or David Niven. Since I didn’t have any money but did have an uncle and grandmother in Chicago, I thought I could try there first. It did have tall buildings, a lot of people, and Downbeat was published there; even if they only wrote about musicians in New York, they wrote it there.
Chicago turned out OK. There were a lot of Read The Rest

Five Favorite Bryant Recordings

TK Smith

I first heard the Sammy Masters 45, Pink Cadillac/ Some like it Hot, on a visit to Levi Dexter’s apartment in L.A. some time in the mid 80’s.  I remember being completely blown away. The guitarist sounded like Jimmy Bryant but at the time, I didn’t know it was him.

  A year or so later while in London with Big Sandy, I bought the Rockin’ Red Wing LP on the German label Hydra. It had Flat Feet, 2 Rock-A-Four and Whop-T-Bop, along with Pink Cadillac and Some Like it Hot. The funny thing is that the session details on back of the LP listed the guitar player as Ralph Roe. I was so enamored that for a few years I looked everywhere for more recordings of Roe! haha.

 I can’t remember how, but eventually I found out that it was Bryant on the recordings. I really love his playing on these five because they are so full of great ideas. It sounds like he had complete freedom to play what he wanted and he went for it.

 I know these recordings are easy to find now with the Internet and all, but thought I’d put them up just in case some of you have never had a chance to hear them.

 Later, around 1998, I got to meet Sammy Masters and play a few songs with him at a club in Hollywood which was an honor. If you have a few minutes, take a listen.

Good Shit

Just got this clip from Dan Nosovich in Australia using my C.A.R. pickup along with the note below. Nice break in my day.

“Mark aka @juniorjukewalters took this clip of us doing some Johnny Guitar Watson on my tele. Bridge pickup straight into a Bassman RI.  I’ve been playing my own (dodgy) takes on rockabilly and instros on the tele in other bands but enjoyed how it went in these fellas.” 

TR Crandall Guitars

 TK SMithWe’re lucky that many players and customers come through the Joshua Tree area on their way in or out of Los Angeles, and many come to play at our great neighborhood bar, Pappy and Harriet’s. When they do, we love having them come by the shop to hang out, play and talk guitars. But we get asked all the time if there is anyplace on the East coast that someone can see or play our guitars in person. We’re  excited that now they can.

We just sent Smith Special #003 to TR Crandall Guitars in New York City. Located in the East Village, Tom Crandall and Alex Whitman have earned a reputation for providing some of the best repairs and restorations available, but also for creating a completely unique experience for musicians who stop by their shop. Not only can you hang out and play their well curated collection of vintage guitars, you’ll get an education about each ones history and what Tom has done to bring each instrument to spot on condition before putting them on their wall for sale. Its not often that you’ll find a shop owner who is also one of the best Luthiers in the business. So on a quiet street away from tourists, we’re proud that our friends on the East Coast can now go to TR Crandall to play and purchase a Smith Special in person, and get the service and experience I want as a musician.

Here are a few photos we took before the guitar headed East. It includes a custom case and black leather strap. If you’re in New York or will be visiting soon, stop by and check it out.

TK Smith

TK Smith

TK Smith

TK Smith

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